
Trained as a painter, O. was cofounder of the Hamburger Filmschau, alongside with her husband and collaborator Werner Nekes. For all the psychedelia of her early work, subsequent films are rigorous in refractory experimentation: rear-projections, double-impositions, repeated frames and breathtaking lunges of the handheld camera, which seems bolstered as much by raw impulse as it does by any guiding principle of onscreen organization. O.’s work establishes its own space-time linearities, then argues them against each other–sometimes content with a mild flicker, a closing or opening aperture or a flurry of blunt smears. This is a playful and often freefalling visual poetics, best left to wash over you pure and analyzed later (or better yet, not at all.)
movieLawale
2025 · , Director, Director of Photography
movieKaldalon
2025 · , Director
movieAlaska
2025 · Director, Producer, Music, Editor, Sound
movieEye-Step
2000 · Director
The Critical Mass
1999 · Herself
movieThermoment
1998 · Director, Producer, Director of Photography
movieXoanon
1994 · Director
movieCandida
1991 · Director
movieBlindman's Ball
1988 · Director
movieEnzyklop
1985 · Director
movieHome Movies 1971-81
1985
movieUliisses
1982
movieStern des Melies
1982 · Director, Writer
movieBeuys
1981 · Director
movieHurrycan
1979
movieFrozen Flashes
1976 · Director
movieKaskara
1974 · Director
Diwan
1974
movieBlonde Barbarei
1973 · Director, Writer, Producer, Director of Photography, Editor
movieT-Wo-Men
1972
Abbandono
1970
movieMama, da steht ein Mann
1968
movieVis-à-vis
1968
movieJüm-Jüm
1967 · , Director